Відео

what guitar brand is on the pic?

Thank you for sharing! ❤

21:45 Pat Compared timing of Brecker to who?

Does Pat metheny play the same exact licks on every tune, just modified for key and tempo?

Victor Wooten said the same thing about learning music most of it focusses on the notes and not the rhythm and time feel. Better to play with good time and wrong notes then the right notes with bad time. Locking into the groove and swinging.

Whats the effect on the synth sounding guitar? :)

He was only 19 yrs old…. Very sophisticated knowledge at such a young age!

Nice!

The rhythm thing is crucial but your "Sound" has to incorporate dynamic rhythm. That's why playing fundamentals are cool if you this technique. Make sure your not playing all the notes with the same volume but with changing dynamics. Its like Jaco would say upfront about his playing.."I play with dynamics"

The song they play is John Coltrane's Mr P.C. from his Giant Steps album (which is a fast blues). Regarding "hearing all 12 tones over any chord"/outside playing, i'm 99% confident he took that from David Liebman's book "A Chromatic Approach to Jazz Harmony and Melody" as I remember him talking about it on either his blog or somewhere else online. But as Pat will tell you, there are no shortcuts to music. Don't just pick this book up in the hope to get to be able to do the things Metheny and Brecker do, get your hands really dirty into the basics of harmony and scales and anything he offers here. If you can't play amazing lines with just the chord tones (hear Metheny's example in the video here, or there is also one in the book "the Metheny Interviews" where Metheny includes a transcription of a solo using only the notes of a chord and I think it's even just the triads, not even a 7th), then this book certainly is not going to make things better for you.

HI, does anyone please know the name of the minor blues they play at the beginning of the video? It's driving me crazy.

Not really a intro but okay cool

It is about bach. All is about bach!

What Pat says is that you must just "thrive on a riff" whether it's rhythmic or melodic.

I once played with a guitarist in South Africa that couldn't read any music but a giant guitar player, what he only needed was just how the song goes and then when you played him or sang the song he would play it and then kick us!!! Pat Metheny needs a little theme and then without asking you for chord changes, he would kick arse with his improvisations!!!

Very cool. Thanks

fantastic brer!

🤣 𝓟Ř𝔬𝓂𝔬𝐒ϻ

really hoping you cover the full song. its so good i keep coming back to it

21:35 who is he really talking about here? Is it Chris Potter or what?

i guess somebody already has figured out who the other guitar player is, it sounds like the voice of Mike Moreno, am i wrong??? thanks!

wow. some dudes here saying PM was *harsh? shows his respect for the student that he's not sugar-coating it. he's teaching an already-accomplished player how to get to the next level. jeez if I got an hour from PM, the last thing I'd want is him telling me I was nailing it.

It’s impressive that Pat would even take what little time he has to teach someone on this level. The cat must’ve had a good connection…But it’s good it happened:-)

I think I know when and where this is from.

I think Jim Hall was surprised and Martijn is fantastic is always better then teacher:)

Is there a way to download the sound material as compressed audio file ? There is some very valuable information within this video.

Bro this shit was insane. You should hear the people in my high school orchestra. Dont even know how to play a scale past the first octave. Its like the rest of the neck doesnt even exist

21:40 alright now, stop this tomfoolery. The name please...

Very Kool!

You play the arpeggios! Arps arps It’s great that Pat is honest. It helps NO ONE to just say “sounds great” “good job, Next” People just want to be agreeable these days. Very feminine trait. Just get along don’t make waves. Before you feminazis accuse me of unfounded Sexism note that psychiatrists have researched these personality types for decades and they really happen.

I get your point about knowing the structure of music, but I'm also thinking that improv is supposed to take you out. I don't think it's important to dwell on a player's knowledge of structure vs. musical intuition and skill with the instrument. It's kind of like classical vs. rock.

Wonder how old Pat was

Awesome

I must admit to never being a huge Pat Metheny fan. For one reason there are so many clones. His sound always seemed over processed to me and some of the records were a little on the easy listening side. But hearing this I am just knocked out. His playing is so solid, time is impeccable, great lines, and delivery. What a tremendous player, communicator, and teacher. Thanks so much!

6:18 talking on rhythm

Nice and creative, good performance!

ah, the famous chair!

ooooh sweeet. would love to hear it in full!

I spent this past winter learning every line Pat plays in this video. It is honestly one of my favorite samples of Pat's straight-ahead sound, and one of my favorite samples of his playing I've heard just generally. A simple minor blues, but he makes every line sound incredible. I can't even begin to tell you how much I've learned because of this video. Even after learning the solo verbatim and being able to execute it by rote, all the things he talked about in the video--particularly his discussion on the primacy of rhythm, articulation, and phrasing--have become more apparent to me than ever. I have a fairly good harmonic grasp on what he plays here, save for a few things. Surprisingly, a lot of what he plays is just diatonic arpeggios/scales with some chromaticism/chromatic enclosures, and a sprinkling of outside notes here and there. It's not nearly as harmonically-dense as I thought it was. What stood out to me the most was the articulation, the accenting, his rhythms, how he staggers his ideas, his phrasing, the actual physical execution of the line. There is a Pat Metheny "feel". Learning this solo has given me so much inspiration and ideas on what to practice, how to practice, and honestly, I barely scratched the surface of it. The best lesson I've ever been given.

I’ve heard this before, but just really heard it tonight.

Pat said something in this lesson that finally hit me...and TOLD me how to really solo in the post bop era. I’ve been playing hard since 1971, have a degree in music and practice nearly everyday. What he said was quick and answered the students question as to how to get away from soloing off the beat. He answered ‘ no, I feel it in my stomach’. Great tip. The beat is felt in your gut...wait a sixteenth note and...take OFF...using rhythmic variations with your pick and right hand. As far as notes...you are really only a half step away with any ‘wrong note’.

Thank you for re-uploading

What a douche.

This was so awesome. I will be coming back to this often. For now, it’s time shop some Sonny Rollins and find a solo of his to learn. Thank you!!

Mooi! 👌👍

Nice music

Nice vidio

Thanks for posting what I’m not sure about is he talks about feeling the triplet subdivision in a swing beat, and 16th note subdivision in a straight beat, yet he later says that they should be nearly as straight as possible, the eighth notes. Can someone enlighten?

Awesome cover!

RIP